The Mower Against Gardens
Luxurious man, to bring his vice in use,
Did after him the world seduce,
And from the fields the flowers and plants allure,
Where nature was most plain and pure.
He first enclosed within the garden's square
A dead and standing pool of air,
And a more luscious earth for them did knead,
Which stupefied them while it fed.
The pink grew then as double as his mind:
The nutriment did change the kind.
With strange perfumes he did the roses taint,
And flowers themselves were taught to paint.
The tulip, white, did for complexion seek,
And learned to interline its cheek;
Its onion root they then so high did hold,
That one was for a meadow sold.
Another world was searched, through oceans new,
To find the marvel of Peru.
And yet these rarities might be allowed,
To man, that sovereign thing, and proud,
Had he not dealt between the bark and tree,
Forbidden mixtures there to see.
No plant now knew the stock from which it came;
He grafts upon the wild the tame,
That the uncertain and adulterate fruit
Might put the palate in dispute.
His green seraglio has its eunuchs too,
Lest any tyrant him outdo,
And in the cherry he does nature vex,
To procreate without a sex.
'Tis all enforced—the fountain and the grot—
While the sweet fields do lie forgot,
Where willing nature does to all dispense
A wild and fragrant innocence,
And fauns and fairies do the meadows till
More by their presence than their skill.
Their statues, polished by some ancient hand,
May to adorn the gardens stand,
But how so'er the figures do excel,
The gods themselves with us do dwell.
- Andrew Marvell
Off to walk the tulip fields perhaps, or hike among wildflowers. Happy Spring, everyone!
Sunday, March 31, 2013
Saturday, March 23, 2013
The crystal goblet and the wine...
You are the bread and the knife,
the crystal goblet and the wine.
You are the dew on the morning grass
and the burning wheel of the sun.
You are the white apron of the baker,
and the marsh birds suddenly in flight.
However, you are not the wind in the orchard,
the plums on the counter,
or the house of cards.
And you are certainly not the pine-scented air.
There is just no way that you are the pine-scented air.
It is possible that you are the fish under the bridge,
maybe even the pigeon on the general's head,
but you are not even close
to being the field of cornflowers at dusk.
And a quick look in the mirror will show
that you are neither the boots in the corner
nor the boat asleep in its boathouse.
It might interest you to know,
speaking of the plentiful imagery of the world,
that I am the sound of rain on the roof.
I also happen to be the shooting star,
the evening paper blowing down an alley
and the basket of chestnuts on the kitchen table.
I am also the moon in the trees
and the blind woman's tea cup.
But don't worry, I'm not the bread and the knife.
You are still the bread and the knife.
You will always be the bread and the knife,
not to mention the crystal goblet and--somehow--the wine.
- Billy Collins
Happy Birthday, Billy.
I'm a fan of your populist ethos and breezy cleverness, although some disparage you for your accessibility.
I say, today, let us celebrate poets who make poems a pleasure for all.
I raise my class half full to you, BC.
Skeptical? Enjoy these:
Saturday, March 9, 2013
“Hope” is the thing with feathers -
That perches in the soul -
And sings the tune without the words -
And never stops - at all -
And sweetest - in the Gale - is heard -
And sore must be the storm -
That could abash the little Bird
That kept so many warm -
I’ve heard it in the chillest land -
And on the strangest Sea -
Yet - never - in Extremity,
It asked a crumb - of me.
- Emily Dickinson
On my way to our state's Poetry Out Loud competition this morning to root for a ninth grader from my school who'll be performing this American classic, among other worthy poems.
It's a perfect blue-sky day for a train ride along the water, a brisk walk to a lovely lunch, and an afternoon of poetry performances!
Sunday, March 3, 2013
As kingfishers catch fire, dragonflies draw flame;
As tumbled over rim in roundy wells
Stones ring; like each tucked string tells, each hung bell's
Bow swung finds tongue to fling out broad its name;
Each mortal thing does one thing and the same:
Deals out that being indoors each one dwells;
Selves — goes itself; myself it speaks and spells,
Crying Whát I dó is me: for that I came.
I say móre: the just man justices;
Keeps grace: thát keeps all his goings graces;
Acts in God's eye what in God's eye he is —
Chríst — for Christ plays in ten thousand places,
Lovely in limbs, and lovely in eyes not his
To the Father through the features of men's faces.
Hopkins has a fascinating personal history, and remains in my personal "Top Ten" poets of all time. I've linked a fascinating and extensive article about this Victorian poet-priest from the Poetry Foundation's website, and I hope that you will investigate his glorious oeuvre and be moved to join me in praising him.
MFB, with flames drawn and strings tucked,